Godzilla
Now that our attention has been grabbed by King Kong decking Godzilla straight in the face, I figured this would be a good time to review the film that started off this whole MonsterVerse that Legendary and Warner Bros. have going on, 2014’s Godzilla. Now, this was a complicated film that divided the fanbase for several reasons that I will get into, but let us please start with something obvious, Godzilla looks freaking incredible. A+ to the team that designed him and brought him to life because they truly did a 180 from the absolute abomination that was the last American Godzilla attempt. That was some weird lizard that ate fish, but what we see in this film, this is Godzilla. This was a true kaiju.
Okay,
my first big issue with the film is a bit of a spoiler, so warning, but it also
kind of is not because it happens within the first act of the film. Ready? Here
we go. What was the point of bringing in Bryan Cranston if you were only going
to have him be in about forty minutes of the film? That does not make sense. It
was as if they were trying to capitalize off of his Breaking Bad success,
but instead of making him a focal point of the film, they made him into
clickbait. To make matters worse, his character does not even get a proper
death. There is zero emotion behind it, and it does not even occur on camera.
That is right, his character literally dies, and you do not even see it happen.
It is one of the worst uses of a great actor I have seen in a long time. Another
issue that a lot of people seemed to have is one that I actually did not have.
If anything, I thought it was a brilliant strategy. If you came into this film
expecting to see Godzilla just wrecking things for two full hours, this is not
the film for you. Godzilla is actually in this very little, and honestly, I
think that was a great move. This issue will definitely come back in a future
review when I tackle more of these MonsterVerse films. Sometimes, less is more.
This film is very character driven, and it is directed well with some of the
best cinematography I have seen in film. The halo jump scene in the third act
might just be in my top ten favorite sequences of all time. The beauty in the
destruction of the shot, the score, the intensity, it is flawless.
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